dinosaurbeards:

karenhurley:

This campaign is great, really makes you look closer instead of just and quick stereotypical glance 

GSR Entrance Hall System

Advertising Agency: SPR Agency, Novo Hamburgo, Brazil Via

ahhh! I love this, its perfect

123,965 notes

thefrogman:

There is also a death for the immortal jellyfish. He is very bored.

Artwork by Chris Gugliotti [webcomic | tumblr]

137,289 notes

If there is a God, He will have to beg my forgiveness.
A phrase that was carved on the walls of a concentration camp cell during WWII by a Jewish prisoner  (via exam)

(Source: notclarissa)

528,891 notes

youcanchoosefreedom:

parkingpowersactivate:

disneyfoodtravel:

Jean Valjean in the first 10 minutes of the movie:  I only stole a loaf of bread

literally me for the rest of Les Miserables:

image

Fun fact! ^This line in Aladdin was a reference to Les Miserables. They had it because the girl who did the voice for Jasmine’s singing, Lea Salonga, played Eponine on broadway and is one of the most famous Eponines ever. She also went on to play Fantine and was the singing voice of Mulan

MIND=BLOWN

105,738 notes

katara:

fuks:

shiiiiiiit

who thinks of this in the shower… 

katara:

fuks:

shiiiiiiit

who thinks of this in the shower… 

(Source: tastefullyoffensive)

44,772 notes

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

313,740 notes